The father of the world wide web talks to Maisie McCabe about the threats posed by artificial intelligence, our relationship with data and how media outlets and advertisers should use the web.
One of London's less decorated executive creative directors recently took me through a presentation of a major new ad campaign.
Can you spot the difference between these two?
Outdoor media continues to break new ground, with M&C Saatchi claiming the first-ever artificially intelligent poster last week.
Toto Ellis, the strategy head at Droga5 Europe, is trying his hand at directing.
When were you last really, really tired?
Amid Pompeii's ruins is a curbstone into which has been carved a penis proudly pointing the way to what was once one of the city's most popular brothels.
Every new advertising agency claims to have identified some fundamental change in human attitudes and behaviour.
Aschim is one of six directors who make up The Line collective, which created Campaign's recent ads.
As we sit in the middle of our precious summer months, our thoughts are allowed to drift to the weather. And the forecast for Spain and its ad market is changeable.
Another week, another set of headlines on bots.
As we head into a period a Norwegian friend of mine delightfully calls the "cucumber season" - due to all the filler stories about growing vegetables - there is still plenty that demands our attention.
"Right," Mark Earls says. "Everyone in the second row and the fourth row, come up to the stage. We're going to play a game that illustrates what happens when humans copy each other."
What's all the fuss about Instagram?
I have seen the future, so thought I should share it.
Havas Media's conference highlighted how consumers want brands to help improve their quality of life. By David Benady
In an already evolving sector, JCDecaux's capture of the TfL contract will likely mean more changes, Arif Durrani writes.
ITV's commercial managing director is exploring new revenue streams - but not at the expense of money-spinning airtime and partnership deals, he tells Maisie McCabe.
The tech giant changed listening habits when it launched iTunes. Will Beats 1 have a similar effect, Gurjit Degun asks.
Creature is fast making a name for itself in theatre. This is what differentiates the agency from its rivals in adland, Dan Shute and Ed Warren tell James Swift.
Roulier and Lhomme directed the Marks & Spencer "adventures in imagination" campaign by Rainey Kelly Campbell Roalfe/Y&R. The spots, in the retailer's usual "food porn" style, pair close-up shots of food with an instrumental version of Clean Bandit's Rather Be.
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