Limp Gocompare.com ad fails to capitalise on singer's ubiquitous presence
By Ryan Newey, founding partner and creative director, Fold7, marketingmagazine.co.uk, Tuesday, 14 August 2012 11:40AM
Gocompare's Gio Compario - or 'Opera Man', as I like to call him - has been shouting at us in his operatic tones for several years now. Is the campaign so bad it's good, or so bad it's bad?
Truth be told, I really liked the first one. 'He's only a tenor' is still a good gag that gets a smile. Who would have thought at the time that he would become one of the UK's most ubiquitous ad characters?
This 'saving the nation' spot is the first in what I hope is a reappraisal from this sector, which has seen ads getting louder and more lairy than the last (Comparethemarket's meerkats excluded). Someone has even told the bald lady from Confused.com to calm down in its latest spot.
Perhaps they could also tell her to get a hat. So, back to Opera Man. 'Kill him off!' would have been the cry from the agency - and no one would argue against it. With a media budget such as this one, refreshment should be front of mind. Putting a plan C in place, let alone plan B. I just wish the killing-off of such a huge equity had been better capitalised upon. Why isn't there a whole campaign of ads inviting the nation to take Opera Man down? This would have been a far more interesting approach, rotating content and avoiding falling into the same repetitive trap.
Get the public involved; let's have an online campaign where the viewers can vote on how he should meet his demise. Savaged by rabid meerkats? Or perhaps don't reveal who killed him at all; a JR Ewing-type manhunt for the Gio assassin. The faux-graffiti outdoor ads that accompany the campaign were a nice idea but, again, missed a trick.
It would have been the perfect opportunity to put the spray can in the hands of the consumer, inviting people to finally exert their revenge by submitting their suggestions for exactly where Gio should go. After all, it's the public that have been subjected to him for the past three years. Letting them vent their annoyance would have been the perfect way to bring them back onside.
I just can't help feeling the opportunity is greater than this simple bazooka-swats-irritant idea. And when did Sue Barker become the spokeswoman for Britain? She is a strange choice. From my own mini-focus group, most people's reaction was: 'Who is that woman? I do recognise her, but...'
This adds further credence to the argument of creating a 'collect the set' campaign, with different would-be killers. Nonetheless, it will be interesting to see where it goes from here. The ad leaves the door open for a dramatic comeback as the anti-hero appears to have survived Barker's assault.
I have a feeling that Opera Man has not yet been banished from our ad breaks.
Brand strategy verdict: 7 out of 10
I can't argue with the notion of sparing the nation from the opera monster, and, although a little bit behind the curve, at least the client has become self-aware. I just wish it had incorporated thinking about involving the nation.
This article was first published on marketingmagazine.co.uk
- Account Manager Tomorrow Recruitment £25000 - £35000 per annum, West End
- Search Manager Aspire £25000.00 - £30000.00 per annum, London
- Creative Project Manager/Production Manager become £30k-£42k, London (Central), London (Greater)
- Marketing Manager Pitch Consultants £40000 - £50000 per annum, Manchester
- Campaign Manager,Professional services,London,£50k Blue Skies Marketing Recruitment £40000 - £50000 per annum, Benefits: +excellent benefits, London
- Tesco media review pits Initiative against MediaCom and ZenithOptimedia
- Google's European leader says viewing habits are 'changing dramatically'
- Martin Sorrell talks Maurice Lévy, Tesco, and the global outlook
- 'Advertisers are snake oil salesmen', says Peter Oborne
- Viacom to bring Breaking Bad to Freeview with Spike launch
- Land Rover to move global ad account into Spark44