Aunt Bessie's 'Margaret and Mabel' by VCCP
Agency: VCCP
Rating: 5.0
campaignlive.co.uk, Thursday, 01 November 2012 08:00AM
Mick Pollard traditional signwriter, Mick the Signwriter
Inside Pollard
- How did you get into signwriting?
I was in an infantry battalion and was so dangerous with a gun they took it off me and sent me to train with the Royal Engineers as a signwriter. Joke. In them days, each battalion had a domestic pioneer section that undertook repairs. I could earn a penny doing private stuff for the blokes, and when we went on exercises, we got to play with explosives and booby traps.
- What sort of projects do you do?
I have the ability to take on just about any type of work. I have lettered coffins, ships, aircraft, shops, walls, honour boards, vans, cranes, floors ... be it a coat of arms or a logo, plain or fancy lettering. A signwriter must be able to do lettering from a half-inch to 25 feet, marbling, graining, airbrushing, gilding, glass decoration, murals, pinstriping, carpentry, design work, coach painting, french polishing, heraldry ... in short, signwriters are a real but disappearing asset to their local community because we add beauty and style to our urban landscape.
- What are you most proud of?
My customers respect my knowledge and ability, and trust me to produce a job that will be effective advertising for their business, because a hand-painted sign has something that computer-generated signs lack: eye appeal. It doesn't matter how big or what materials it's made from, or how quickly it was made - it's the look that matters. A computer-made sign is generic and does not have a soul, so is generally not so effective as a piece of advertising.
- What inspires you?
Within the signwriting world, there is a thing called a letterhead meeting, where we learn new techniques. Some of the talent on show is really awesome, so we each up our game. No secrets are withheld, so if there is a method I am unsure of, I can phone other signwriters and get the information I need. Also, if a customer needs a job doing in Glasgow, say, I can pass that job to the nearest man.
This article was first published on campaignlive.co.uk
Day two dawned….and with it another migration back to the Palais.
Annie Leibovitz explained the art of bringing a story down to a single moment, and shared the inspiration behind the campaign she created with Disney making tales as old as time relevant to today. We heard from Astro Teller, Captain of Moonshots at Google (yes, really) reinforcing the importance of storytelling in driving audacious invention. Mother warned us to hang on to the joy of craft and keep our brains happy in order not to become advertising douchebags. And Facebook discussed scalable creativity.
Read more on Chronicles of Cannes – Day Two: The Redux…