Paul Kemp- Robertson- Editorial Director and Co-Founder, Contagious

Be the first to comment

After graduating with a master's degree from Goldsmiths' College in London, Paul started his career at corporate communications firm Maritz before helping to launch shots magazine in 1990.

After a spell in commercials production, Paul returned to shots and became editor in 1994. Subscriptions trebled under his tenure.

In 1998 he succeeded Donald Gunn as Leo Burnett’s worldwide director of creative resources in Chicago. Reporting to Michael Conrad, Paul was responsible for the agency’s Great Commercials intranet site and its quarterly creative councils, known as the Global Product Committee.

Paul left Leo Burnett in 2004 to co-found Contagious – a quarterly magazine and dvd reporting on future trends, new technologies and innovative marketing techniques.

Contagious Communications is headquartered in London and is part of the Steel River Media company, of which Paul is a major shareholder.

Paul has written numerous articles for publications including Business 2.0, The Guardian, Hollywood Reporter and M&M Europe, as well as co-editing D&AD’s The Commercials Book. He has appeared on BBC Radio 4’s The Today Programme and 5 Live’s Wake Up To Money and is a member of the SuperBrands Council.

He is married with three children and lives in St Albans.


Only £57 for 3 months

Includes every print & iPad edition, plus full access to Campaign online and other Brand Republic sites.


Looking for a new job?

Get the latest creative jobs in advertising, media, marketing and digital delivered directly to your inbox each day.

Create an Alert Now

Campaign Jobs

Thousands of jobs across advertising, creative, marketing and media

Premier League gives lion a makeover as it waves goodbye to Barclays

1 Premier League gives lion a makeover as it waves goodbye to Barclays

The Premier League has launched a more colourful brand identity built around its lion icon as it plots a future without a corporate sponsor for the first time in 23 years.

The end of false recognitions

1 The end of false recognitions

You'll be seeing less work from DDB at award shows in 2016. Here's why.

Just published