PRIVATE VIEW: Damon Collins, the creative director at Lowe

campaignlive.co.uk, Friday, 12 December 2003 12:00AM

You may have heard the story of the heartless adman who gave a student a book crit with his hand inside a Sooty glove puppet. Legend has it, Sooty flipped over the pages and then whispered silently into the man's ear. The man then spoke for them both: "Well, I like it, but Sooty thinks it's shit."

That heartless adman was my father. And that Sooty was my glove puppet.

Curious as to whether he's mellowed with age, I coerced him out of retirement to help me with this piece. (The puppet, not the father. I know he hasn't mellowed with age.)

So here we sit with the work in front of us. Izzy wizzy, let's get busy ...

We start off with three topical print ads marking the miracle of an England World Cup victory. One has the names of the world's rugby teams forming the shape of a pint of Guinness, with the line: "The cream rises to the top." I comment that it's a neat typographical way to celebrate that iconic kick. "Iconic cack," Sooty whispers back. So ... yellow, but not that mellow.

The next rugby ad is for Nike. It's a map of Australia with English rose-emblazoned pushpins marking the locations of four English victories, and the line: "The Empire Back Strikes." I remark that this is simple and smart. Just what a poster should be. Sooty shakes his head and murmurs that they don't make 'em like "It's not the winning, it's the taking apart" any more. Still, I think he prefers this to the Adidas one, because while I'm studying Jonny Wilkinson and his balls, Sooty starts flicking through a copy of Loaded.

The latest press campaign for Barnardo's continues a familiar tragic theme: through poverty, many children are doomed to a short and unhappy life. I tell Mr Constructive Criticism that these striking visuals are bound to get the attention of parents and newspaper editors alike. Sooty, the pedant, starts picking holes. He argues that "meths" is the only decent one, as it's the least contrived replacement for a spoon. And insists that the silver spoon reference is utterly redundant in this day and age.

Puppets ... I ask you.

Sooty's looking bored, so I quickly slide a tape into the VHS. On come a series of sponsorship idents for Ford in which people going about their business are, for no apparent reason, irresistibly drawn to a Sky sports stadium. These are followed on the reel by some break-bumpers featuring a lone supporter who becomes surrounded by vampires, Rococo dandies and leather-clad gimps. No need to ask Sooty what he thinks. Before the tape finishes he's stabbing a paw at the off button, whispering language that would shock Dennis Hopper's character in Blue Velvet.

Anchor's new campaign features naive animation akin to South Park. Egg-shaped cows explain, in speech bubbles, that Anchor is edible and spreadable.

I explain that these ads are very "now" and that they'll stand out on the box due to their very lack of content. Less is more, as that advertising supremo Mies van de Rohe once said. Sooty beckons me close. He pokes me in the eye with his left paw and calls me a twat. Who, he asks, are those ads talking to? What are they selling? "You remember selling!" he screams silently into my ear. Then he goes on about Saatchi's long-running karaoke cows campaign and how "those cows were the dogs". Sad really. He's an anachronism. Modern advertising's clearly wasted on him.

Time to stuff my old friend back in the toy box. But first I ask if there are any ads he's seen recently that he actually likes. He mentions the Greenpeace film, but makes a disparaging remark about its star, Eddie Izzard. "No, he isn't, Sooty," I explain. "Actually, he's a transvestite." And what about that sweet little VW viral, I venture? His reply? Rather predictably: "Bollocks."

Bye bye, everyone. Bye bye.

NIKE

Project: Rugby World Cup

Client: Jack Gold, head of brand communications

Brief: Celebrate England winning the Rugby World Cup

Agency: Wieden & Kennedy London

Writer: Darren Wright

Art director: Lucy Collier

Illustrator: The General

Photographer: David Lidbetter

Exposure: National press and posters

GUINNESS

Project: Guinness Rugby

Client: Nick Robinson, marketing director

Brief: Make Guinness part of the emotion and passion of supporting rugby

Agency: Abbott Mead Vickers BBDO

Writer: Gary Walker

Art director: Huw Williams

Typographer: Mark Elwood

Exposure: National press

ANCHOR

Project: Anchor Spreadable

Client: Hanne Sondergaard, marketing director

Brief: Make dairy spread users reappraise Anchor Spreadable

Agency: Clemmow Hornby Inge

Writer: Brian Turner

Art director: Micky Tudor

Director: Jonti Picking

Production company: Sumo Dojo

Exposure: National TV

ADIDAS

Project: Adidas UK

Client: Nick Craggs, head of communications

Brief: n/s

Agency: 180 Amsterdam

Writer: Dean Maryon

Art director: Stuart Brown

Exposure: The Sun and Daily Mirror

FORD

Project: Ford Destination Football

Client: Richard Beard, primary brand manager

Brief: Add further credibility to the link between Ford and football

Agency: Quiet Storm

Writer: Becky Clarke

Art director: Trevor Robinson

Director: Trevor Robinson

Production company: Quiet Storm Films

Exposure: National TV

BARNARDO'S

Project: Barnardo's

Client: Diana Green, head of advertising and communications

Brief: Highlight the issue of child poverty in the UK

Agency: Bartle Bogle Hegarty

Writer: George Prest

Art director: Johnny Leathers

Photographer: Mark Aldridge

Exposure: National press

This article was first published on campaignlive.co.uk

X

You must log in to use Clip & Save

Before commenting please read our rules for commenting on articles.

If you see a comment you find offensive, you can flag it as inappropriate. In the top right-hand corner of an individual comment, you will see 'flag as inappropriate'. Clicking this prompts us to review the comment. For further information see our rules for commenting on articles.

comments powered by Disqus

Additional Information

Campaign Jobs