Five lessons from Andrew Cracknell's talk on The Real Mad Men

Andrew Cracknell, the former Bates UK executive creative director who began his career as a copywriter at CDP in the 1960s, was at Shoreditch House last night, regaling an audience of young creatives with tales of the advertising revolution of the 1960s.

Andrew Cracknell: author of The Real Mad Men
Andrew Cracknell: author of The Real Mad Men

Cracknell published his book, The Real Mad Men, in 2011. He has since found a niche visiting agencies and adland hangouts and sharing his (well researched) thoughts about a period that defined the industry.

He says he has been surprised at how today's creatives relate to the working practices of those working on Madison Avenue in the 1960s. The principles that drove the best agencies fifty years ago are unchanged, he argues.

Here are five things that Campaign learned after dropping in to Cracknell's talk last night.

1. The creative revolution in New York in the 1960s was built on five things.

First, the US successfully switched from a war to peacetime economy and boomed. New York, in particular, went stratospheric. The rate of development in Manhattan between 1950 and 1960 was so high that it doubled the world's office space.

Immigrants, no longer content with meekly getting by, came into their own and made their mark in the white-collar working world. Music, art, literature and architecture enjoyed a sustained revival.

Bill Bernbach turned the ad agency model on its head, making creatives, not account men, the heart of the business and pairing copywriters with art directors.

2. Mary Wells Lawrence was the first female chief executive of a New York Stock Exchange-listed company.

A copywriter and one of the founders of Wells Rich Greene, Wells Lawrence had wanted to be an actress but failed and got a job writing copy at a department store.

3. Clients have always been difficult.

Cracknell tells a story about PKL (Papert Koenig Lois) pitching Procter & Gamble an idea for a washing up powder ad. The agency was explaining how the housewife would be shown loading mucky clothes into the machine, when a P&G employee asked: "Does the washing have to be dirty?"

4. Cracknell does not watch TV ads anymore.

He does not even own a TV. He does have a laptop but his screen saver is of The Archers.

5. Union Carbide’s 1968 TV ad for its super insulation is still tough to watch.

Cracknell said he showed the footage, in which a chick risks being boiled alive, to an audience in Vienna and they asked him to stop it halfway through.

The crowd at Shoreditch House mostly laughed.

Subscribe to Campaign from just £57 per quarter

Includes the weekly magazine and quarterly Campaign IQ, plus unrestricted online access.


Looking for a new job?

Get the latest creative jobs in advertising, media, marketing and digital delivered directly to your inbox each day.

Create an Alert Now

1 Production companies hit out at IPA in escalating row

Academy, Blink, Rattling Stick and RSA Films are among 15 production companies that have hit out at the IPA's suggestion that ad agencies should be allowed to compete against them in the same pitch.

How easyJet transformed customer data into emotional anniversary stories

1 How easyJet transformed customer data into emotional anniversary stories

To showcase innovation and good practice, Campaign is publishing the best case studies from the 2016 Marketing New Thinking Awards, held in association with Sky Media. EasyJet and Havas Helia triumphed in the Data Creativity category for their data-driven work on the airline's 20th anniversary.

Just published