NEWS: Burnetts set to unveil Mercedes blitz

Leo Burnett is poised to lift the wraps off a major press campaign for the top-of-the-range S-class Mercedes-Benz.

Leo Burnett is poised to lift the wraps off a major press campaign for

the top-of-the-range S-class Mercedes-Benz.



The campaign features four executions, two of which will roll out this

weekend.



Each ad shows the S-class in a different setting with a different

headline. The copy underneath relates closely to the headline, while

also highlighting key refinements of the S-class model.



For example, one of the executions shows the S-class in a cavernous,

subterranean setting, above the headline: ‘So. Is the end of the world

nigh?’. The copy beneath goes on to describe the Mercedes’ high-bending

protective steel pillars.



The second execution shows a green model S-class shot against a deep-

blue background, with a single fluffy white cloud in the shape of a

sheep reflected in the windscreen.



The headline runs: ‘So. Let’s talk about sheep.’ The copy highlights the

fact that in a world where a sheep carcass suspended in formaldehyde

costs pounds 40,000 and is called a work of art, you can pick up an S-

class Mercedes for the same amount.



Both ads were photographed in the Mojave desert by Darran Rees. They

were art directed by Robin Smith and written by Robin Weeks.



The third execution was photographed in a ruined priory in the north of

England. The headline asks the question: ‘Is marriage dead?’. The copy

goes on to explain that Mercedes drivers are among the most brand loyal

of all car drivers.



The fourth execution will be photographed later in the year. Taking a

grammatical theme, it will focus on split infinitives.



Media is also handled by Burnetts and ads will appear in most quality

national newspapers as well as the Spectator magazine.



Gerard Stamp, the creative director at Burnetts, said: ‘The S-class is

often quoted as the world’s best car; this campaign takes it for

granted. So instead of discussing cars, the ads raise issues that are

more contentious: modern art, for example, or the institution of

marriage.’



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