Aunt Bessie's 'Margaret and Mabel' by VCCP
Agency: VCCP
Rating: 5.0
By Marc Sands, Director of audiences and media, Tate, marketingmagazine.co.uk, Wednesday, 02 May 2012 12:00PM
Marc Sands, Director of audiences and media, Tate
I've done it twice now, once at The Guardian and now at The Tate where it is in excess of 10,000 people.
It cuts through a lot of discussion, debate and prejudice. You get the voice of the audience at the Tate, for example, which is frequently under-represented, but incredibly helpful. You can pose questions on anything from policies to which poster should be run. It doesn't make the decision, but it informs it enormously.
You can ignore it, but if you do so, you know that you're ignoring it and proceeding anyway - which, equally, might be the right thing to do.
Different segments are represented in our panel, which are mainly about proximity to art: from someone who goes to the Tate once a year, another who is academic, right through, and they're represented statistically on that panel. So you can ask a question to different audiences or multiple audiences and cut it any way you like.
This article was first published on marketingmagazine.co.uk
Day two dawned….and with it another migration back to the Palais.
Annie Leibovitz explained the art of bringing a story down to a single moment, and shared the inspiration behind the campaign she created with Disney making tales as old as time relevant to today. We heard from Astro Teller, Captain of Moonshots at Google (yes, really) reinforcing the importance of storytelling in driving audacious invention. Mother warned us to hang on to the joy of craft and keep our brains happy in order not to become advertising douchebags. And Facebook discussed scalable creativity.
Read more on Chronicles of Cannes – Day Two: The Redux…