CAMPAIGN CRAFT: FORUM - Are production companies being exploited by charity jobs?
26 Nov 1999 | by GAVIN BOYTER
JAMES BRADLEY, MANAGING DIRECTOR, CONCRETE
Senior executives from across the UK communications industry are joining forces this Christmas to launch a special brainstorming event which has been designed to offer new business solutions for advertisers and raise money for charity.
JAMES BRADLEY, MANAGING DIRECTOR, CONCRETE
Following news of the review called by the NSPCC on Saatchi & Saatchi, I have watched the debate on the relationship between agencies and charities from an interested dual perspective: as well as running Ogilvy in Europe, I am also a vice-chairman and trustee of the British Red Cross.
Within the space of a few days Saatchi s feelings about its NSPCC client have plumbed the depths of despair and scaled the heights of euphoria.
A strange sight met us the other week when we paid a visit to the premises of WWAV Rapp Collins.
The charity, Anti-Slavery, is launching a hard-hitting national press campaign to raise its profile and draw the public s attention to child slavery.
Helen Mirren, Joanna Lumley and Ian Wright are among the stars featuring in Marks & Spencer’s TV ad for Children’s Promise, a national campaign at the centre of the retailer’s pounds £12 million Millennium Dome sponsorship.
We re always interested in any trouble that creatives get into, especially on location, so it s good to know that charity shoots involve as many hazards as commercial shoots.
BRONZE Title: Fart Agency: Poulter Partners Client: Ash Art Director: Rick Ward Designer: Pete Camponi
Partners BDDH launches a new commercial for Christian Aid this week with an epic film shot by Gillies Mackinnon, who directed the movie, Hideous Kinky.
Welcome to the first incarnation of a new element in Campaign in which we invite experts to burrow beneath the surface of the catch-all that is "digital". Google, Isobar Mobile, JWT London, LBI and MBA share their insights on mobile.