It’s hard to pick my favourite piece of work because I have
One is the 96-sheet ’glue’ poster created for the National Asthma
Campaign, and the other is a radio campaign - ’moaning’ - for the Family
This featured what sounded like a teenage girl having sex but it turned
out that in fact she was giving birth.
I believe if you want to get people to respond you’ve first got to get a
Both ads were for charities, so had precious little budget and took a
lot of effort to get up and running. These weren’t easy briefs where the
client had buckets of money to throw at them. But despite that, they
were more successful in terms of response, raising awareness and winning
more creative awards than many more costly campaigns - proving that good
ideas are the key to effectiveness.
Although posters (and radio) are proven for brand marketing, in the
field of direct marketing they are still under-used or used badly. Yet,
as posters are without doubt one of the most impactful media available,
what better media - when everyone is in the target audience - to get a
response and maximum PR to raise awareness of asthma?
To drive home the message - ’pollution in the air affects your lungs and
therefore asthmatics’ - we painted a poster site with glue. As pollution
stuck to it, so the headline was revealed: ’This poster has been up for
just two weeks. Imagine what your lungs must look like.’
We had to beg for the site as Vauxhall Cross is one of the busiest in
London - and find a sponsor. It took hard work and luck - which made it
When it went up, journalists went to look and then wrote articles about
asthma. People driving by called up for information and to offer
support. Add to that a D&AD award, the first poster to win a DMA, and
even Trevor Beattie saying at the Campaign Creative Poster seminar he
wished he’d done that one. I think we got one hell of a response.
Chris Arnold is the creative director of Draft Direct Worldwide